This one is kind of obvious. Stand by your window and look out into the distance. You’ll probably notice things that are far away seem smaller, even if they’re truly the same size as what’s right in front of you. In order to capture that depth in a two-dimensional drawing, you have to draw the far away objects smaller to create the illusion.
I wanted the trees to look like they were spread out across a meadow, so I drew larger, more detailed trees upfront and some skinny, less detailed trees off in the distance. Theoretically, if you walked through that meadow you’d find those trees to be about the same size as the “larger” ones. You just can’t tell because they’re off in the distance.
On the other hand, if I had drawn a human behind the trees that were somehow taller than the trees, you could assume that they were bigger than Godzilla and you should probably commence running, right about…NOW!
Lighting Can Change Everything
Your light source has the potential to tell the viewer a lot about the composition and depth of your piece. My big, magic, unicorn moon is lighting up the clouds it’s closest to like the Fourth of July, but as the clouds get farther away, the moonlight isn’t affecting them as strongly or at all. This tells the viewer that while the light source is powerful, it isn’t as bright as the sun. It also tells the viewer how far away the outer clouds are.
Now consider the smaller light source, the campfire. Campfire lights are a low, warm glow, so it makes sense that it would only affect the objects closest to them. While the unicorns and the trees around them are catching the glow of the fire, the mama dragon across the river is unaffected. This gives the viewer perspective on the distance between the campfire and the trees across the river.
Playing with light sources in general is a fun way to add life to a piece and play with colors and shading. I think if you really hit the sweet spot you can amplify the magic and mysticism of the piece as a whole.
In Summary
These are only a few quick tips I picked up from my first intense foray into drawing a full background scene. There’s a ton more for me to learn about composition and perspective and I look forward to sharing the knowledge I gain with you! In the meantime, do yourself a favor and take a look at Mitch’s tutorials. I’m not sponsored by him & I don’t know him personally. I just found his books to be the most helpful and clear guides to background and perspective drawings I could find online. So in the spirit of questing for awesomeness, let us go forth, learn, and become more amazing every day!
Love yourself some unicorns? Don’t forget to grab a Unicorn’s S’mores print or Crop Top!